Monday, July 15, 2019

Blue Note Records - Film





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Blue Note Records: Beyond The Notes - Movie

Rych McCain International/Nationally Syndicated Entertainment Columnist





An Intimate Chat With Sophie Huber, Director of The Documentary Film “Blue Note Records.”


     One of the more significant films of this year’s Pan African Film Festival was titled “Blue Note Records Beyond The Notes.” It explores the unique vision behind the iconic jazz record label. Through rare archival footage, current recording sessions and conversations with Blue Note artists, the film reveals a powerful mission and illuminates the vital connections between jazz and hip hop.

Theolonious Monk












 
John Coltrane
 
Jimmy Smith

     One of the most important record labels in the history of jazz — and, by extension, that of American music — Blue Note Records has been home to such groundbreaking artists as Miles Davis, Thelonious Monk, John Coltrane, Bud Powell and Art Blakey, as well as present-day luminaries like Robert Glasper, Ambrose Akinmusire and Norah Jones. Founded in New York in 1939 by German Jewish refugees Alfred Lion and Francis Wolff, the history of Blue Note Records goes beyond the landmark recordings, encompassing the pursuit of musical freedom, the conflict between art and commerce and the idea of music as a transformative and revolutionary force.

Herbie Hancock









Wayne Shorter
 
Freddie Hubard
      Through rare archival footage, current recording sessions and conversations with jazz icons Herbie Hancock, Wayne Shorter and today’s groundbreaking Blue Note musicians, BLUE NOTE RECORDS: BEYOND THE NOTES reveals a powerful mission and illuminates the vital connections between jazz and hip hop.
L-R Blue Note artist Derrick Hodger, film director Sophie Huber and artist Keith Qmillion Lewis

     The film’s producer/Director is Sophie Huber. In making a documentary about a subject as large and challenging as one about a record company that practically wrote the jazz history of the United States, it is a daunting task to say the least. One of the main complaints that die hard jazz fans will have is that some of Blue Note’s biggest stars had to be left out. For this interviewer it was the originator of the modern Hammond B3 jazz organ style Jimmy Smith. With limited time and a subject that has hundreds of elements to it, you can’t get everybody in. When asked about that Huber agrees saying, “Especially if you have a story that covers 80 years and over a thousand records. So you have to stay with the absolute classics and some you have to miss out on. What I wanted to do with the film is put it in a manageable lengths so people who do not know anything about jazz get an idea of what it was and what it still is.”
        As with most people who criticize; they aren’t doing squat to pick up a camera to make a documentary themselves. Huber adds, “Especially if you do something that people know of like Blue Note. You always get criticism of why you didn’t do this or that. That’s the way it is. You can’t change that.” Huber obviously is a huge jazz fan. She says, “I grew up with jazz. I’m from Switzerland where they have amazing jazz festivals. My dad had the records at home so I had at least a rough idea of what it was.”

Clifford Brown











Art Blakley
 
Horace Silver
      Huber did put together an informative film that not only chronicled the story of the history of the iconic jazz label Blue Note Records, her founders and the musicians who paved the path of jazz in an entertaining manner that makes the film both enjoyable and a joy to watch. 
 

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