Monday, July 29, 2013

Professor Fernando Jones - Music


(C) 2013 by Rych McCain, All Rights Reserved. No part of this column may be reprinted, re-posted or duplicated without written permission from Rych McCain Media/Syndication. Violation is subject to applicable laws.


Professor Fernando Jones - Music

By Rych McCain International/Nationally Syndicated Entertainment Columnist
By Rych McCain, www.twitter.com/rychmccain and Facebook



Professor Fernando Jones’
Blues Kids Camp Is On!


Photos via FJBKC

   
Professor Fernando Jones Blues Artist and Teacher
The Blues as an art form has taken the rollercoaster ride of being “In” then “Out” like her sister art forms i.e., jazz, R&B and so on since its inception in the Mississippi delta in the early 1900’s. Professor Fernando Jones is not only a music educator at Columbia College in Chicago, he is also a veteran Blues recording artist who sings and plays guitar. 




     Jones’ love of blues is so strong that he created a workshop/camp for youth to not only teach them how to play the blues but also to help preserve the music and keep it going strong for future generations to come. Jones explains, “The Blues Camp started in 2010 at Columbia College in Chicago and it is part of a program called “Blues Kids of America” that I founded back in 1989 here in Chicago. So the camp came out of a 20 something year-old music program with a focus on the blues.

    
Blues Camp Kids Jammin
The Fernando Jones Blues Kids Camp is a program of The Blues Kids Foundation which is an IRS recognized 501(c)(3) nonprofit charitable organization. The camp’s staff is made up from highly qualified music instructors. The program provides scholarship tuition waivers for all of the student musicians (ages 12 - 18) that attend. Some scholarship waivers also include lodging and transportation arrangements. Jones’ Kids Blues Camp started in Chicago but is now offered in several cities. 


  
Bassist Logan Layman laying it down
    As Jones states, “Our camp is designed especially for the Blues Kid who simply wants to perform this music and experience this priceless, cultural enrichment opportunity in a nurturing environment with like-minded others.´ 



   
Guitarist Ray Goron is gettin' into it!
 



    What served as his motivation to create all of this? Jones relates, “A number of things motivated me to start the blues camp. Most of the things that I have started or created in my life have been things that I saw a need and also at some point of my life, things I tried to give away to other people. Most of the things that I have done have not been necessarily for myself but they needed to be done.”

Live blues kids session
    
Jones also mentions his many experiences playing around the country where parents will bring their child to his concert and the youngster showed an interest is playing the blues. He reflects, “Sometimes when you get to a town and people like you, they will bring their family to meet you and in some cases they will bring a kid who is a guitar player who will come up and ask you if they can play. Because I started playing when I was around four years-old, I could pretty much see myself in this kid. They’ll get up and play a tune with you for the night, then four or five weeks later you get a beautiful handwritten letter made out of construction paper with the kid saying how wonderful the experience was and how in so many was it helped saved their lives and helped them from being weirdos.”


Another Blues Camp Conclusion
    Jones adds that the music department at Columbia College had a well developed jazz program so he pumped up the blues emphasis. He also believes that his blues camps serves as a source of new ideas, new life blood and promotion of the blues for upcoming generations. Jones conducts his blues camps around the country then concludes every year with a week long master blues camp in Chicago at Columbia College. 


Hard to get tickests
      They then have a grand concert at a major Chicago blues venue. This year the concert was at the House of Blues and the place was packed. For support donations and more information on how your child might benefit from the Blues Kids Camp, go to
www.blueskids.com

 
Leroya Sanford
         The Blues is not dead.


     I spent an incredible week at Columbia College in Chicago learning, playing and singing the Blues with Professor Fernando Jones and the Blues Kids Camp. 

     I don’t know  of any music that can make you feel good and dance about all the problems you have in life.  The Blues is like a healing to the soul.  I think that’s why I love the Blues so much.  It’s the same reason I love doing comedy, because crying about all the issues I deal with and problems I see in the world didn’t do me any good.   

     The Fernando Jones Blues Kids camp welcomes musicians and singers from all over the world to learn the importance and historic perspective with some of the most talented Teen Instrumentalists I have ever seen. If you play an instrument and don’t know The Blues then you’re not a true musician.  Without the Blues we wouldn’t have the music we have today.   Did I mention that Professor Fernando offers this week long Blues camp for FREE in various locations throughout the U.S.?  Give your support and keep it alive visit:  www.BluesKids.com    Every minute spent angry is 60 seconds of happiness wasted.
 

© 2013 Rych McCain Media/Syndication tm 
(You DID Hear It From Me!) 
Twitter@rychmccain and Facebook
 



Saturday, July 27, 2013

Richard Brooks - TV



(C) 2013 by Rych McCain, All Rights Reserved. No part of this column may be reprinted, re-posted or duplicated without written permission from Rych McCain Media/Syndication. Violation is subject to applicable laws.


Richard Brooks - TV

By Rych McCain International/Nationally Syndicated Entertainment columnist
By Rych McCain, www.twitter/rychmccain and Facebook




Richard Brooks

Maintaining The Opposite Side For BET’s “Being Mary Jane!”

Photos BET 
 
    
Richard Brooks
       He has been astutely commanding his acting career over the years with professional aplomb, confidence, grace and a quiet since of humility that has kept him at the top of his game. We are referring to veteran actor Richard Brooks who is currently starring as Patrick Patterson, the wayward, always down on his luck brother to Mary Jane (played by Gabrielle Union), on BET’s new smash hit TV Drama “Being Mary Jane.” Brooks, a Cleveland native, began his career journey with extensive drama, dance and voice studies at the Intelachon Academy of Arts in Michigan. After which he moved to New York where he continued study at The Circle In The Square Professional Theater School where he performed in The Eugene O’Neil Theater Conference production of August Wilson’s “Fences.” 




     Brooks has an impressive list of credits as a guest star and cast regular on many major TV shows and movies as well. He may best be known as Assistant DA Paul Robinette on the long time mega-hit, award winning cop drama “Law and Order” for NBC-TV. “Being Mary Jane” is a new drama series for the BET Network that was created and written by TV and movie veteran Mara Brock Akil who is on a hit making streak with her other shows that she has created and written for including “Moesha,” “Girlfriends,” “The Game” and the remake of the movie “Sparkle.” The show’s movie debut reviews were overwhelmingly positive and it appears that Akil not only has another solid TV show hit to her credit but BET has added another notch in their belt in establishing a niche in drama programming.



    
Brooks as Patrick
     In talking about his “Being Mary Jane” character, Brooks breaks him down; “Patrick is just the black sheep of the family trying to come up, trying to get back on top, a recovering alcoholic, has daughters who are pregnant teens you know, just dealing with a lot of issues right now that a lot of men are dealing with I think.”  This drama has it all and the subjects are as real as it gets. What was the reaction of the cast when they got together for the first table read? Brooks belts out a laugh, “I mean the casting; everybody is so perfect for the roles. We already felt like a family.” To back that statement up, Brooks’ co-star on the show Aaron D. Spears (who plays Mark Bradley) chimed in saying “It’s the realness of it that is going to carry the show over. I think its going to hit people where they are, hit them in their heartstrings right in the mist of their reality in terms of their lives. It is something that you have either lived or you know someone who has lived through it. It’s like a slice of life, that’s what I like to call it.”



     
Gabrielle Union as Mary Jane
    Because the “Being Mary Jane” movie was such a big hit, Brooks relates that success to the TV series adding, “It’s going to be incredible. It’s going to pick up right where the movie left off and tie it all together. The show’s producers also advocate that the viewers go to the BET website and let them know that they not only love the show but that they want continued episodes.


 





     Last week I was in Chicago for the very first time. What a great city.  The entire week I was there the heat index was in the 100’s everyday. I stayed in Englewood, on the South Side which is considered one of the worse violent neighborhoods in the city. Was I on vacation?  No.  For those who don’t know, I’m a ten year- old comedienne. I was blessed with an opportunity to perform at the House of Blues and The Laugh Factory in Chicago. I couldn’t let this chance pass me by. I had an incredible great time performing and met a bunch of great folks that became good friends. People were telling me I shouldn’t go, saying it’s too dangerous. I know they all “think” they are looking out for my best interest, but they’re not. Many people are too scared to live so they play it too safe and never really live life. Then they project their fears on the rest of us trying to live our dreams. My advice; if you’re not going to ride the train with me, then get off the tracks because this train is leaving the station. Remember, every minute spent angry is 60 seconds of happiness wasted.

See Leroya performance on ABC-TVs "The View." www.youtube.com/watch?v=wf7y9joqIJI

Leroya on Twitter:  leroyaonline2
Leroya on Facebook:  www.facebook.com/leroya.sanford
 


© 2013 Rych McCain Media/Syndication tm 
(You DID Hear It From Me!) 
Twitter@rychmccain and Facebook


Wonder Mike & Master Gee - Music


(C) 2013 by Rych McCain, All Rights Reserved. No part of this column may be reprinted, re-posted or duplicated without written permission from Rych McCain Media/Syndication. Violation is subject to applicable laws.


Wonder Mike & Master Gee - Music

By Rych McCain International/Nationally Syndicated Entertainment Columnist
By Rych McCain, www.twitter.com/rychmccain and Facebook






Wonder Mike & Master Gee

Pushing Past The Sugar Hill Gang!

 Photos RLJ /One Village
 
      In 1979, rap as we know it today did not exist. However, when one looks over the course of history, what is now known as rap has origins that go way back to Black Mother Afrika past the 13th century and even further. Today’s modern form of rap can easily be traced back to the Black West Afrikan Griots who told stories chemically over drums. Those traditions followed the slaves who used verbal beat boxes and what ever devices they could find or make to talk over with music. Jazz scatting popularized by the great Ella Fitzgerald in the 40’s and 50’s was a form of vocal phrasing using the human voice as a soloing instrument over music. During the early 60’s, rap was a way of romantically wooing the ladies. If a brotha’s “rap” was week, he didn’t have game. During this period musically, Isaac Hayes and Barry White were considered rappers because they talked to the ladies seductively over slow music. The 60’s also saw rap as a revolutionary way of talking and communicating. 60’s militant civil rights icon Hubert G. Brown was so affluent with rapping speech wise that he changed his name to H. “Rap” Brown. Then the spoken word movement of the late 60’s – early 70’s with poetry being spoken over music via “The Last Poets,” “Sons Of Watts,”Gil Scott-Heron” and “Nikki Giovanni” to name was ushered in and opened the door for what became hip hop.



   
    The bottom line point here is that most rhythmic creative vocal techniques are originally Black Afrikan and any form of it comes from that source. Black youth especially need to have this knowledge driven into their heads and stop thinking that the music that they are into is exclusively theirs and created by them. Wrong! They are just a link in a historically long chain. Getting back to our opening statement; Hip Hop/rap was not known mainstream until a group called “The Sugar Hill Gang” release the smash hit single “Rapper’s Delight” in 1979. It is considered the first rap record to introduce hip hop/rap to the world. The single peaked at #4 on the R&B charts and #36 on the pop

charts. In Canada and Holland it topped the charts at #1. Rolling Stone Magazine ranked “Rapper’s Delight” at #251 on their list of the 500 greatest songs of all time.


    
       Despite the massive success of that first single, the two main members of the original group Wonder Mike and Master Gee were betrayed by their record label and became outcasts. They were out of money and work and had to claw their way back into the game. The guys have a new DVD out titled “I Want My Name Back” that chronicles their story so their fans will know the truth. Their journey through fraud, lawsuits, lies and backstabbing makes this project a must see for any young person. Especially the one’s with aspirations to get into the rap game.


     One of the myths that Wonder Mike and Master Gee cleared up is that “Rappers Delight” was not sampled. A house band actually played the riffs from Chic’s “Good Times.” The late Sylvia Robinson is credited with being the mother of hip hop sampling but according to Gee and Mike, nothing at Sugar Hill was sampled because they had a house band at their studios in Inglewood New Jersey like Motown and other labels. The guys did add however that Sylvia had a great ear for hits and was an excellent producer. 


    
    So how did they get involved with Sylvia (“Pillow Talk”) and her husband Joe Robinson who owned Sugar Hill Records who would later turn on them? The guys said, “It was a real hurry, hurry, rush, rush kind of thing. It was a lot of impatience and at the same time excitement going on and they capitalized on our naivety. The late Sylvia Robinson attached her name to all of the writing credits that she didn’t write thus cashing in on the publishing. What was up with that? The guys again responded, “That was an old record business trick where if you came in and did anything to the song; change a word or two, you got your name on it. So they all knew about the whole publishing world and that was part of the reason why her name was on everything.”



    
     Sylvia and her husband Joe have both passed on. Did she ever reach out to the guys before her death in 2011? The guys said, “Toward the end of her life, we really weren’t communicating with her. Sometimes things go on for so long that any reconciliation kind of fades into the background of the chaos of daily living and you just don’t get around to it.” The group, now The MG Squad has been back the last several years with a new third member "Big Hank", a hit in 2009, doing world tours and new product coming out soon so the ride continues!  

  


      Next week, July 30th to be exact, I’ll be 11 years old.  So I’ve been reminiscing about the past decade.   How one little comment may have changed my life.  I was 4 years old swimming in my first swim Meet at Jesse Owens pool.   It was the deep side.  I was nervous. My Dad said, “Swim fast, kick hard and, just don’t stop.”  I was going to be swimming against 8 year olds. I was the smallest, all the other girls were much bigger.  The starting buzzer went off and I plopped in and began swimming freestyle in my first race.  I got to the opposite wall turned around pushed off and began swimming back to the opposite side.  When I got to the wall one of the timers were yelling at me to stop.  I was tired but I ignored her turned around pushed off and kept swimming.  There was a lot of yelling and screaming but I just kept swimming.  I reached the wall on my third lap exhausted but I pushed off again and kept swimming.  

      While swimming my 4th lap the lifeguard grabbed my arm in the middle of the pool and told me to stop.  I said, “No.”  I pushed him away and kept swimming.  When I reached the wall my Mom and Dad were there.  The spectators were laughing hysterically as well as my parents and they bent down reaching into the water and said, “… it’s okay Leroya you can stop now”.   As I got out I asked, “Where are all the other swimmers?   Did I win?”  My Dad giggled and said, “Yes you did.  You out swam them all!”  See, I was only supposed to do one lap, (25 yards) but I swam 4 Laps (100 yards).  At the time I didn’t realize that I lost the race because I remember feeling was like I won a gold medal.  We are all in a race of some sort.  My advice, just don’t stop.  The race is never over until you decide it is. Perhaps because of my hearing all of the laughter and applause as I was being pulled out of the water, I subconsciously began to love the idea of entertaining others.  Remember, every minute spent angry is 60 seconds of happiness wasted.

See Leroya performance on ABC-TVs "The View." www.youtube.com/watch?v=wf7y9joqIJI

Leroya on Twitter:  leroyaonline2
Leroya on Facebook:  www.facebook.com/leroya.sanford
                                                      



© 2013 Rych McCain Media/Syndication tm 
(You DID Hear It From Me!) 
Twitter@rychmccain and Facebook